Reggie Williams
grew up on a steady diet of Jazz and Soul like George Benson, Sade, and All
Jarreau, but it was hearing rock and pop when he was 13 that made him want to
begin writing and recording music. Reggie started performing around the same
time, and people became connected to his music much like the way he was
connected to the music he loved.
Reggie began
with two bedroom recordings titled, Songs For Stories and Learning to Live, which
you can find for free here: reggiewilliams.bandcamp.com.
He grew up in the scene, playing any show he could get, and moved on to Florida
State University’s Music School.
He began writing
more songs while obtaining his education, and knew he wanted to do something of
higher fidelity that would convey the ideas better. So he began saving up and
began recording with a close friend and producer, Robby, and released the
Change EP in January of 2012, which can also be found on Reggie’s Bandcamp.
Currently, Reggie
resides in Orlando, FL, and the next step is to give more and to grow. He has
been writing more songs since his move, and he plans to record an EP and head
on tour up the east coast to 33 cities, one of which will be Nashville, with
the help of our audience backing his Kickstarter, which you can check out here:
http://kck.st/19Y0HAw. Reggie and his backers
believe in what he is doing here wholeheartedly, and we want to invite you to
join as well.
There
is no such thing as a landlocked island, except the one where Sol Cat seems to
live. It’s like a place where the mind isn’t fully aware of its surroundings,
and confusion welcomes the creativity it inspires. Sol Cat’s eponymous
self-released de-but album doesn’t necessarily transport you to South Florida
from Nashville, TN, but that is an appropriate enough concept. If Music City
defines firm lines between genres, Sol Cat’s album champions redistricting,
creating challenging new sounds in this arena of the traditional.
Think
of a midnight drive somewhere warm, certainly the top is down, and yes, a
beauty is in the passenger seat. The six-piece band suggests you can take this
foggy, dreamlike scenario with you wherever you go. However, Sol Cat finds its
own contentment and happiness in the valleys of Middle TN, grateful for the
opportunity to tap into the mystical and spiritual musical foundation on which
the land is built. The Athens of the South has an appeal any artist can feel —
an enticing, drawing temptation.
Before
relocating, Sol Cat’s members spent their time across the country, Miami to Los
Angeles, New York City to The Gulf of Mexico. Musical influences span just as
wide, yet an eclec-tic and oceanic resonance remains prevalent in their sound.
Smooth grooves along the lines of George McCrae mix with semi-psych synth
layers, while the likes of The Talking Heads and Laid Back inspire bouncy bass
and slick guitar riffs.
With
such a range of cultural and artistic influence, the creative process is
equally interesting. Vocalist and writer Brett Hammann steers the musical direction
of the band while guitarist Johny Fisher leads the group into new and uncharted
territory. Drummer Ryan Usher provides the rhythmic backbone for bassist Aaron
Martin, who also acts as Sol Cat’s Art Director. Lead guitarist Jaan Cohan
brings catchy licks and skills to melt any face, leaving keyboardist and studio
engineer Jeremy Clark to play intuitively as the music essentially produces
itself. The group is now prepared and eager for the road, with its groundwork
set for the message to spread. The Sol Cat sound is not as unfamiliar as it is
forgotten; and those feelings and emotions poured into music past are ready to
gracefully wash over a new generation. And for that, we salute you!